I have updates and goals for both the train room (aka the basement) and for the railroad.
As I left off my last post with wet basement issues, I will start with that. My wife helped me last week on one of our continuing rainy days, and we made a good start on removing the scabbed-in bar. As you can see in the photo, I still have some framework to remove. The damp floor in what I was calling "the floodplain" can also be seen. Not labeled, but suggested is the approximately one inch wide "French Drain Canal" between the green concrete floor and the yellow wall. Judging from the existing rot, the floodplain has been an ongoing issue, exacerbated by our wettest May on record. A steady stream of water was flowing into the "canal" until about ten days ago. I will need to build a lip along the floor (a levee) to prevent the canal from overflowing here in the future.
In addition to the wet basement abatement, another goal for this summer consists of more electrical work. The sump pump and water conditioner are currently powered through a gnarly extension cord draped across the ceiling. They need a direct line. Renee wants some general lighting in the basement with a switch. I want a line to outlets for the railroad lighting (current and future) also switched. Plus our three season room's outlets need to be reconnected and a few more receptacles added in the basement. This really should be done before any significant additions to the railroad are contemplated! We need a firm plan and easy access before we call in the professional.
I want to continue with this area around the fruit and produce spur. I am giving a clinic soon, and I would like to try using the photo that I have propped up against the backdrop in this image and share the results. It actually isn't a straight photo; I collaged parts of the photo to make changes. The other experiment is to cove or curve the photo from mounted to the backdrop to glued to the benchtop. I will need to remember to coat the photo (printed on my inkjet printer) with a fixative so that water based scenery doesn't make the colors bleed or otherwise destroy the image. Then I can experiment with first layers of scenery and weathering to blend the road surface onto the benchwork.
Several years ago I attended a clinic by Bob Frankrone about completing a scene in fifteen steps, and thought I might try that approach to the fruit and produce spur area. Here is a to do list of my fifteen:
- Last steps on brick building
- Warehouse a la Bill Schopf (multiple steps)
- Sand the cork edge
- Sand the painted sky
- White wash for atmospheric haze
- Photo backdrop a la Paul Dolkos
- Sculptamold for texture
- Paint and first layer of scenery
- More layers of scenery
- Fence
- Tie pile
- 12 volt DC lighting bus
- Connect lights
- Ballast spur
- Details
In this prototype photo of the Interbay Yard in Seattle, I really like the area between the tracks in the bottom right area: a little uneven terrain, some tall grass and shrubs, and a pile of ties. This photo is from the digital library at the Cornell University.
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