I tried an experiment over a year ago, combining two photo backdrop techniques. One, that I call "cove the road," and a technique from Paul Dolkos of using small photographed scenes between "visual foils." I described creating this image in an earlier post of a packing house scene that I reimagined by collaging parts of it. In addition to not having suitable visual foils on both sides yet, I just have not been happy with the results. Since I am presenting a clinic on backdrop techniques at the MER convention later this month, I wanted to try to resolve my issues with it and to solve the problem that was bothering me. Basically the initial painted treeline behind the packing house scene created issues of perspective and scale. The one-point perspective of the photo suggested a different horizon line than the one suggested by the painted tree line. More bothersome in a way, the photo suggested greater distance or depth into the scene than the flat treeline that it was in front of. Part of that illusion was because the scale of the forced perspective buildings of the photo did not align with the scale of the trees in the tree line.
While I had attempted to overpaint the tree lined ridge over the past few seasons, it took my committing to repainting the surrounding area, which I finally did just a couple of weeks ago, to nudge this towards a scene that I think is much closer to working. As the small building's dock in the front of the scene will be the structure I use, I will need to come up with a visual foil or three-dimensional object to hide the edge of the photographed section behind the dock. In repainting this section of the backdrop, I used two recent understandings (both relatively new to me). The translucent nature of white latex primer made it nearly impossible to completely cover a darker color, but helped to blend into the existing sky and to create the illusion of atmospheric haze. I ended up overpainting the original tree line with titanium white artist's acrylic to completely obscure it. Thinking about how my brown earth latex color appears much darker on the backdrop than on the benchwork due to the layout lighting directly overhead, I chose to paint the fields and hills with craft acrylics, particularly a khaki color that was similar in value to my earth brown as it appears on the benchwork.
As I work to add scenery layers to this area, I will need to consider what to use as "visual foils" on both sides of the added photo, but now I am much happier with how it integrates with the newly painted backdrop here. Rather than bothering me, I think this scene now helps blend the backdrop into the 3D modeled area and suggests greater depth.























