Saturday, March 5, 2022

Ingleton Shelf: Scenery Started

This recent photo was taken with the scenery cement still wet

In my last post I mentioned starting scenery around the Associated Grocers warehouse, so that is what I have done. While the track plan was designed primarily to facilitate the Inglenook switching puzzle, my intention has been to also represent more prototypical operations with the three stub sidings servicing the warehouse and associated team tracks. I also wanted to work on developing realistic scenery techniques that might translate to the larger railroad. 

To hide the inherent flatness of the plank and the mainline look of the cork roadbed, I applied Sculptamold around the edges of the cork and painted it after it dried. One problem of using the narrow shelf and the Inglenook track plan involves a not quite large enough space for the future loading dock for the team track. By adding some raised fascia on the ends and building a couple of different styles of track bumpers, I hopefully solved the imminent  problem of rolling stock careening off the shelf. In this photo, one can see the first use of the tentative ballast color for the shelf and at least part of my future railroad. 

Instead of the generic Woodland Scenics grey made from walnut shells that I have used in the past, I am experimenting with a different mix on the Ingleton shelf. I am leaning towards a mix of two parts Arizona Rock and Mineral Company's #1152 Empire Builder to one part Express Scale #50 Blended Ballast as a starting point. In studying my GN Morning Star book, https://www.amazon.com/Great-Northern-Color-Vol-Lines/dp/1582481849, the color of the ballast varied from location to location as well as from various track types, mainline to siding. Airbrushing rust and soot colors over the track and ballast is another approach suggested by studying the prototype photos in Hickcox's book. 

On the shelf, I have continued with the ballasting approach suggested by Model Railroader's Cody Grivno that I reviewed in an earlier post. He starts by spreading the ballast between the rails,  brushing it off the ties and web of the rail, and applying wetting agent and scenic cement with an eyedropper from the outside. He lets that step dry before attempting to ballast outside the rails or on the shoulder of the cork. In the photo, one can see my use of a soft brush to clear off the tops of the ties. In my most recent session, I went ahead and applied other scenery along the side of track in the team track area. I used a mix of brown and cinder ballast along with Express Scale's Medium Natural Soil & Dirt as well as several other ground foams to establish the team track area. If I am not happy with the result, I can always add another layer. 

This shelf is really quite freelanced, with less specificity than the 4th Subdivision. It is set in the west in the 1930s. As I work to improve my skills, I am finding that having a prototype to work from leads to significantly more realistic results. I recently found a prototype source that I can work from or at least be inspired by on this shelf and in planning the new version of the 4th Subdivision. The Cornell University Library has a set of over one-hundred photos from 1960 taken in yards and sidings of the Great Northern in Everett and Seattle here. I printed one out and had it available while working.

The next steps include some very basic ground cover along the rest of the track and ballasting the track. I do not like the abrupt end of the flat seen in the photo. For that issue, I have a couple of ideas, but I just am not sure. I have ordered a loading dock kit and several tie piles from Blair Line for the team track area. Whether I will add additional structures or go with just scenery such as a small cut, a dirt road, or berm with trees is up in the air. For now, I may just complete the ballasting and as suggested by Mindheim's blog post, spread some Heki grass fiber over the brown paint, and start focusing on developing the operations. 

Learning Points:

  • Prototype sources are helpful even in creating realistic scenery
  • Roads, scenery, and structures should be considered in original planning
  • A custom, quality ballast mix adds realism

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